A BALLOON FOR BRITAIN

A BALLOON FOR BRITAIN

(2012) Photographic print (in 10 parts), Each 45 × 30 cm

A BALLOON FOR BRITAIN

A BALLOON FOR BRITAIN

(2012) Installation view, Herald St, London

The artist should never contemplate making a work of art that is about <i>something;</i> a successful work of art can only ever be about <i>nothing.</i> The artist’s complete negation of intent thus creating a reflective surface into which the critic, curator or collector can gaze and see only himself - Sol LeWitt, <i>Paragraphs on Conceptual Art, 1967</i>

The artist should never contemplate making a work of art that is about something; a successful work of art can only ever be about nothing. The artist’s complete negation of intent thus creating a reflective surface into which the critic, curator or collector can gaze and see only himself - Sol LeWitt, Paragraphs on Conceptual Art, 1967

(2012) Plaster bust and mirrored cube, 173 × 57 × 50 cm

The artist should never contemplate making a work of art that is about <i>something;</i> a successful work of art can only ever be about <i>nothing.</i> The artist’s complete negation of intent thus creating a reflective surface into which the critic, curator or collector can gaze and see only himself - Sol LeWitt, <i>Paragraphs on Conceptual Art, 1967</i>

The artist should never contemplate making a work of art that is about something; a successful work of art can only ever be about nothing. The artist’s complete negation of intent thus creating a reflective surface into which the critic, curator or collector can gaze and see only himself - Sol LeWitt, Paragraphs on Conceptual Art, 1967

(2012) Plaster bust and mirrored cube, 173 × 57 × 50 cm

LONG LIVE DEATH

LONG LIVE DEATH

(2012) Inkjet print, 219 × 150 cm

A HISTORY OF MUSIC (POWER STATION DAD)

A HISTORY OF MUSIC (POWER STATION DAD)

(2012) Album covers and screenprint, 45.5 × 106 cm

MARXIST DISCO CANCELLED

MARXIST DISCO CANCELLED

(2011) Letterpress print, 70 × 50 cm

Anish Kapoor (on Regeneration)

Anish Kapoor (on Regeneration)

(2010) Screenprint on paper, 91.5 × 91.5 cm

LUDWIG WITTGENSTEIN (ON CERTAINTY)

LUDWIG WITTGENSTEIN (ON CERTAINTY)

(2008) Screenprint on paper, 30 × 40 cm

IDEOLOGY AND THE MASS MEDIA (I WAS SEDUCED, NOT ABUSED)

IDEOLOGY AND THE MASS MEDIA (I WAS SEDUCED, NOT ABUSED)

(2012) Screenprint on paper, 85 × 45 cm

MARTIN HILF MIR!

MARTIN HILF MIR!

(2011) Lithographic print, 58 × 41 cm

THE ALCOHOLICS COLOURING BOOK

THE ALCOHOLICS COLOURING BOOK

(2008) Screenprints on paper, each 38 × 30.5 cm

TALIBAN, LUCERNE DRIVE, WHITSTABLE, KENT

TALIBAN, LUCERNE DRIVE, WHITSTABLE, KENT

(2010) Photographic print, Dimensions variable

TEMPORARY EYESORE

TEMPORARY EYESORE

(2008) Hoarding commissioned by the Architecture Foundation, Bankside, London

JEFF THE BASTARD

JEFF THE BASTARD

(2008) Adhesive vinyl, Dimensions variable

Self Portrait as a Pie Chart (On the Verge of Collapse)

Self Portrait as a Pie Chart (On the Verge of Collapse)

(2004) Vinyl/PVC, wire frame, 180 × 127 cm


Dave Help Me (Religious Poster)

Dave Help Me (Religious Poster)

(2003) Screenprint on paper, 114.5 × 77.5cm

American Supreme

American Supreme

Suicide (2002) 12” Vinyl album cover, art direction by Scott King, photography by Jonathan de Villiers

Bar Chart Disaster

Bar Chart Disaster

(2005) Screenprint on paper, 80 × 150 cm

Ziggy Stardust and The Spiders from Mars

Ziggy Stardust and The Spiders from Mars

(1998) Screenprint on paper, 150 × 100 cm

I’ve Got A Window Wednesday

I’ve Got A Window Wednesday

(1998) BMW 318i, Jeep Cherokee, plastic hose, hose clamps, 420 × 370 cm, Created for the Earl Brutus album Tonight You Are The Special One